The works of Nguyen Xuan Huy build bridges from the 21st to the 19th century. They respond to the visual patterns of the present and at the same time possess the mastery and thematic density of classical European painting.
Based on personal friendships and contacts, DIE GALERIE is committed to the artists of the CoBrA group.
For millions of years, ladybird butterflies have been migrating between Africa, the Middle East and Europe in search of wildflowers in bloom. Lucas Foglia has accompanied the butterflies on the longest known butterfly migration to date, spanning Europe, Africa and the Middle East.
Rich's paintings depict facades, interiors and urban landscapes that appear anonymous at first glance, but hold complex stories of power, utopia and change. His motifs range from US skyscrapers to Berlin prefabricated buildings and icons of modernism.
Schierke Seinecke presents the fourth solo exhibition by Julia Schewalie (*1988, lives and works in Munich). Her works are unreliable, as they are constantly evolving and never have a fixed state.
Kai Middendorff Galerie is organizing a special exhibition for the important stage designer Karl Kneidl, who has worked with directorial legends such as Peter Zadek, Hans Neuenfels, Pina Bausch, Heiner Müller, Matthias Langhoff and many others.
To grasp an image penetratingly requires discipline. A trained eye is no accident - it is acquired, based on reason and knowledge.
Schierke Seinecke is delighted to present new paintings by Manuel Stehli (*1988), who was first discovered in 2015 during the gallery's first exhibition.
In Adrian Mudder's visual worlds, fantasy and reality oscillate in a mixture of digital and analog aesthetics. Animals act as representatives of human characteristics and idiosyncrasies, as in fairy tales or fables. Sometimes they appear curious and sometimes bored, sometimes cheeky and sometimes tame, sometimes happy and sometimes sad, sometimes correct and sometimes incorrect.
We cordially invite you to the vernissage on Thursday, June 26, 2025 from 6 to 9 pm in our gallery. The artist will be present on the opening evening.
Ashton Hall? A place, a figure, a story - or none of the above? Julie Mia's second solo exhibition at Galerie 3AP Frankfurt carries a title that functions like an echo. The artist's work investigates the fragility of meaning - as an aesthetic principle, an existential condition, and a critical commentary on the relationship between image, material, and perception.
In Der Blick ins Unbekannte (A Glimpse into the Unknown), Galerie 3AP presents a site-specific projection by Willi Bucher that intertwines visual, material, and existential dimensions. At the center is a high-definition video projected onto fine stainless steel mesh.
"In my painting, I make use of traditional genre concepts from Western art and transform them into new interpretations. The general theme is people and group dynamics, both viewed through past epochs and in view of the current world situation."
Arne Schmitt's fifth exhibition at the gallery is a montage of image and text, situated in his new adopted home of Zurich. Inspired by Max Frisch's "Questionnaires", Schmitt himself conceived 25 questions about our relationships with cities: based on the idea that our relationships with cities are similar to our relationships with people.
The group exhibition "Fragments of Now" brings together four artistic positions that deal with people and their environment in very individual ways. Raphael Paulun, Maria Leisner, Mollie Campbell and Lukas Zimmermann create a fragmentary portrait of our present - sometimes observational, sometimes playful, sometimes emotional.
With "re_", Sebastian Kuhn presents his new solo exhibition at Galerie Anita Beckers - an expansive exploration of processes of transformation, recontextualization and re-appropriation.
Opening July 3, 2025, 7 pm, Curated by Hendrik Zimmer.
The exhibition features a selection of historical works by Hubert Kiecol from the 1980s. Hubert Kiecol (born 1950 in Bremen-Blumenthal) lives and works in Cologne.
Bernhard Jäger was a guest lecturer at the Städelschule in Frankfurt and for many years director of the Städel-Abendschule (1985-2000). The exhibition highlights paintings, sculptures and works on paper from 65 years of his career.
Reginald Colas (born 1977) is a Haitian-American artist whose acrylic paintings, a mixture of figuration and abstraction, offer an insight into the nonchalance of black people.
Japan Art - Galerie Friedrich Müller presents works on paper and wood by Ines Hock, Monika Huber, Yuko Sakurai.
Donata Benker's works are created in the field of tension between stability and instability. The focus is on the paradox of spatial order: her architectures initially appear clearly structured, but at the same time begin to dissolve in their statics.
Hjördis Baacke and Jörg Ernert play virtuously with the associative capacity of human visual perception.
4 artists from Accra, Ghana.
Memory of Origin - this is what the South Korean artist Woo Jong Taek calls his works. The painting process is always based on a meditative attitude; the artist approaches nature not only physically, but also spiritually.
With "Icons and Illusions" we present an extensive selection of works by the highly renowned and internationally known artist Heiner Meyer.
In the exhibition we are showing his well-known (large and small) "heads", painted sculptures and drawings of his "houses" interspersed with trees, in which the existence of people can be traced.
Galerie Hanna Bekker vom Rath is participating in the Saisonstart the Frankfurt gallery Saisonstart with a presentation of works by the painter Theodor Rosenhauer (1901-1996).
Martina Vacheva's works are inspired by both local traditions and global visual culture. She combines elements of folklore, pop culture, cartoons and tabloid aesthetics to create lively, often humorous, yet critical compositions.
Paper is patient, it can be cut, pierced, folded, scored, torn, embossed, carved, layered, burned, bundled, printed, colored and much more.
Thomas Kellner - Fragmented Icons 01.10.-08.11.2025, PanGallery Frankfurt In Fragmented Icons, Thomas Kellner breaks down world-famous architecture into individual photographic parts and reassembles them into dynamic, multi-layered compositions.
The new works by Freiburg artist Johannes Hepp promise a reunion with familiar groups of works, such as the small-format figures looking out from their planets on the wall into the vastness of the (exhibition) space, but also larger works in which popcorn becomes clouds.
The Exhibitions presents works created between 2000 and 2017.
In his exhibition o.T., Tobias Rehberger is showing sculptures as well as a new series of paintings based on an alphabet he has developed. Each letter results from the intersecting lines of the color fields and the outer contour.
PHÄNOMEN FARBE unites artistic positions that understand color not only as a creative means, but also as a medium of expression for emotion, structure and perception and that deal with the medium of color in very different ways.
A new project in Frankfurt: DIE GALERIE is opening a POP-UP gallery in the premises of Galerie Hanna Bekker vom Rath for a period of around four weeks. The aim of this cooperation is to offer works of art - paintings, sculptures, graphics - to the interested public of both galleries.
"Dreiklang" unites three artistic positions that explore perception, material and meaning individually. Their works open up a fascinating dialog between reality and inner imagination and create a multi-layered interplay between different perspectives.
After nearly 30 years of collaboration with Annegret Soltau, we are delighted that her radical pioneering work-addressing sensitive issues surrounding womanhood-is finally receiving the attention that the art world often denied at the time of its creation.
Artjom Chepovetskyy's artistic work revolves around the interplay of painting, sculpture, drawing and space. Based on his observations of urban structures and architectural fragments, he develops an abstract visual language.
The Young Collectors Room aims to make it easier to navigate options, both for collectors who are looking for works within a certain budget and for first-time buyers who would like a place "to start" collecting art.
Die fehlende Folge ('The Missing Episode') is Anike Joyce Sadiq's first exhibition with Sakhile&Me, following the 2021 group exhibition Gaabo Motho which explored the physical, psychological, relational, domestic and environmental aspects of "home" or one's sense of belonging.
Rachel von Morgenstern plays with the perception of space by using light and the transparency of the fabric to view color spatially. Surface, form and line are used to create additional tension within the compositions.
Isabelle Dutoit lives and works as a freelance painter in Leipzig. After studying visual communication at the Offenbach Academy of Art and Design, she switched to painting and graphic design with Arno Rink at the Academy of Visual Arts Leipzig, where she graduated as a master student in 2005.
In ink, watercolor and felt-tip pen, Malgosia Jankowska creates fairytale-like nature scenarios that seem to be removed from time and thus offer space for mystical encounters - between humans and humans, humans and animals, integrated into the idyllic and overwhelming nature that surrounds them.
The exhibition "Frankfurter Kopien" by Berlin artist Daniel Poller takes a photographic and conceptual look at the so-called New Old Town of Frankfurt.
Both archives and orbits contain fragments of knowledge, history and the invisible forces that shape them. Like a stone, the artist's studio can be both a simple object and a personal archive - a topography of lived experiences and material explorations.
Robert Vellekoop (*1984) has reinvented himself for this exhibition 'Summer in Teak' and yet has remained true to himself. Painting and sculpture have always formed the poles of his work. Now they merge completely and in one or the other work the lights even come on.
"Head Full of Flowers" presents two central groups of works by Sebastian Herzau - a painter who questions the boundaries of perception, pictorial tradition and the present with subtle precision. Between illusion and irritation, a work unfolds that quotes and transcends classical painting.
In a time of constant accessibility, permanent stimuli and permanent digital connection, the moment of pause takes on a new quality. "Flight mode" is an invitation to consciously enter this pause - not as a retreat, but as an opportunity to see and feel differently.
In Katja Jüttemann's new exhibition, a weather phenomenon becomes a parable of seeing. We speak of a whiteout when snow and fog combine in the polar region or in the high mountains during extreme weather to such an extent that no horizon can be seen for all the white.
