A Journey ThroughEast German Art Scenes – from Brandenburg through Berlin and Leipzig to Dresden. Our new group exhibition brings together painting, photography, and sculpture, each offering a unique artistic perspective.
Hans-Christian Schink (born in Erfurt in 1961) has traveled the world as a photographer for over 20 years. More recently, however, he has devoted his artistic work to the region where he lives, in the far northeast of Germany.
We are presenting Noah Kauertz’s latest works in a solo exhibition, alongside works by Mollie Campbell, Lukas Zimmermann, and—for the first time—Sebastian Jauregui in a group exhibition.
In Fausto Amundarain’s works, collage is evident—but not in the traditional sense. There is no cut-out paper, no mounted fragment. What the eye perceives as collage is created entirely through painterly means.
Sarit Lichtenstein's work is situated within the realm of contemporary art as an exploration of color as an emotional experience.
The group exhibition *New Artists Show* brings together drei —Johannes Ehemann, Lev Khesin, and Rhea Standke—whose drei explores contemporary visual spaces that straddle the line between experimentation with materials and imagination.
The group exhibition CORPUS DELICTI features ceramic works by Dominika Bednarsky, Verónica Aguilera Carrasco, Jakob Erek Sen, Petra Metzner, and Yvonne Lee Schultz. Ceramic objects made of clay and porcelain explore the vulnerability of the human condition.
The summer exhibition brings together selected works by Hans Kotter, Árpád Forgó, John Franzen, Patrik Grijalvo, Gregor Kalus, and Cameron Rudd.
With the exhibition “Transformator,” Schierke Seinecke presents Ralf Brueck’s third solo show.
Leipzig-based photographer Grit Schwerdtfeger uses her images to bridge the gap between reality and memory. Her work has been exhibited worldwide, and since 2012 she has been sharing her expertise as a lecturer at the Ostkreuz School of Photography in Berlin. Her images create a visual language that transforms everyday life into something special.
On Friday, June 19, die Galerie + Hübner will open its solo exhibition*Everywhere and Now Here*.For the opening, Ghanaian artist Cornelius Annor will be in Frankfurt in person and will offer insights into his artistic practice and the creation of the works on display during an artist talk.
Willi Siber's works defy clear categorization. They straddle the boundaries between painting, sculpture, and object art and arise from a consistent interest in materials, surfaces, and perception.
Building on the exhibition *Metamorphosis* (2024) in Düsseldorf, which featured works from Willi Bucher’s “yellow” series, the current exhibition continues the dialogue begun there and focuses on the *Sprachlandschaften* series as well as on works in which painting, language, and space interpenetrate one another.
We have already featured the versatile Aschaffenburg-based artist Stefan F. Konrad in our gallery on several occasions. Now it’s that time again: In the exhibition “Sparsame Brilliance,” Stefan F. Konrad brings together various groups of his works and explores the relationships between them.
In the exhibition *continuo*, Giacomo Santiago Rogado presents works from the series *Intuition*, *Coalescence*, *Accord*, and *Calibra*. The title refers to the idea of a continuum—a state of continuity in which the world appears not as a collection of separate things, but as a network of relationships, transitions, and mutual interactions.
Kejoo Park's work explores the interplay between nature, time, and perception.
In his work, Tjark Ihmels depicts people and situations that seem familiar yet retain an air of mystery. His images hover between reality and imagination, leaving room for personal interpretation.
Group exhibition marking the 20th anniversary of Galerie Leuenroth.
The multidisciplinary artist Camie Klein (b. 1997) explores the tensions between measurable systems and intimate, subjective experiences.
This summer, we invite you to join us on a journey into the depths of vibrant, colorful landscapes. With the exhibition *Imagination – Remembered Landscapes*, we are pleased to present Manfred Fuchs’s expressive color compositions for the first time.
For Katsuhito Nishikawa (b. 1949), nature—with its laws and structure—is the supreme teacher to whom humans must submit and conform through art.
In this chapter of Katja Davar’s body of work—her second solo exhibition at the Bernhard Knaus Fine Art Gallery—the artist focuses on birds’ navigational abilities and the routes they follow during their annual migrations.
PITTURA. It’s all about PAINTING—no titles, no hidden messages, just unstoppable color in all its brilliance.
In his third solo exhibition, “Provincials,” at FILIALE , artist Robin Stretz—born in Pirmasens in 1996— FILIALE a series of 24 watercolors.
Some Exhibitions clarity. “ungerne” does not. The title itself signals resistance: what is rejected remains, at the same time, potent. Joschua Yesni Arnaut’s first solo exhibition at Galerie 3AP around states that lie between inner awareness and external attribution.
In the exhibition *Corps de la ligne*, Alain Clément unfolds a multifaceted interplay of line, color, and plane, in which paper serves not merely as a medium but as an active resonant space.
For Katsuhito Nishikawa (b. 1949), nature—with its laws and structure—is the supreme teacher to whom humans must submit and conform through art.
Jana Schröder’s “And the Seven Images” presents the “JOANIVERSE” series, which is a unique feature of Jana Schröder’s artistic approach.
Through their photographic work, their roles as educators, and their co-founding of the renowned Ostkreuz photography agency and the Ostkreuz School in Berlin, Ute Mahler and Werner Mahler are among the most influential figures in German photography.
Join the galleries and restaurants of Fahrgasse on April 24 to celebrate the opening of the spring exhibitions. In our space, we are presenting an installation duet by artists Jeongmoon Choi and Alke Reeh.
For ten years now, Anna Nero has been a staple of the Schierke Seinecke program. Over the course of this decade, she has undergone an impressive artistic evolution and established herself as one of the most distinctive voices in contemporary painting.
Sarah Geppert moves fluidly between naivety and sophistication—both in content and form. Her paintings leap off the wall with their flatness and bold colors. One sees large forms.
